INDIE ENTERTAINMENT MAGAZINE™

"Indie Entertainment Magazine™" was established in 2014 to support the artists who create film, music, podcasts and YouTube content. It is now a part of the "Indie Entertainment Network"

Filmmakers and buying studios come to town as the vibrant city of Las Vegas prepares to host the American Film Market (AFM) from November 5-12, 2024. Filmmakers, producers, and industry professionals are gearing up for an event that promises to be a pivotal platform for the cinematic hopefuls. This year’s AFM is set against the backdrop of a rapidly evolving film landscape, where independent voices are more crucial than ever.

What is AFM? The American Film Market is one of the largest film markets in the world, bringing together filmmakers, buyers, and distributors from across the globe.

Established in 1981, AFM was created to provide a dedicated space for the buying and selling of films. Over the years, it has evolved into a vital networking hub for studios and independent filmmakers, offering opportunities to showcase their projects, secure financing, and forge invaluable partnerships.

A Brief History:

The inception of AFM came during a time when independent filmmaking was gaining momentum but lacked a centralized venue for commerce and networking. The market was established to address this gap, creating a platform where filmmakers could connect directly with potential buyers and investors. Since its founding, AFM has facilitated the distribution of countless independent films, helping to bring diverse stories to a wider audience.

AFM exists for several key reasons, first it  facilitates transactions. The primary function of AFM is to streamline the buying and selling process for films. It allows filmmakers to pitch their projects directly to distributors and buyers, fostering a more efficient marketplace. Another feature is the  networking Opportunities. AFM serves as a gathering place for industry professionals, providing invaluable networking opportunities that can lead to future collaborations, funding, and distribution deals.  As the film industry continues to evolve with technology and shifting audience preferences, AFM highlights innovative approaches to filmmaking and distribution, allowing indie filmmakers to stay ahead of trends.  AFM champions the independent voices and connections within cinema. By providing resources, panels, and mentorship opportunities, the market helps emerging filmmakers navigate the complexities of the industry.

This year, AFM will feature a robust lineup of panels, screenings, and networking events designed to empower connections through its platform. Attendees can expect insightful discussions led by industry veterans, focusing on trends in digital distribution, funding strategies, and innovative storytelling techniques. In addition to the panels, AFM 2024 will host a diverse selection of film screenings, showcasing independent films that push boundaries and explore unique narratives. This year’s selection promises to highlight the creativity and resilience of  filmmakers community.

Again one of the best features of AFM is its networking opportunities. With thousands of industry professionals attending, filmmakers can connect with potential collaborators, financiers, and distributors. The event will also offer workshops and mentorship programs aimed at nurturing emerging talent, making it a must-attend for aspiring filmmakers looking to break into the industry.

The American Film Market 2024 in Las Vegas is poised to be an essential event for anyone involved in the industry. As the industry continues to evolve, AFM stands as a beacon for creativity, collaboration, and innovation. Whether you’re a seasoned filmmaker or an emerging artist, this year’s market is an opportunity not to be missed. For more information about registration and event details, visit the AFM official website. https://americanfilmmarket.com/

Eureka Sound Brings Soulful Vibes to Zion Reggae Festival

Eureka Sound Brings Soulful Vibes to Zion Reggae Festival

At the Zion Reggae Festival, held at the stunning Zion Ponderosa, the audience was captivated by the jazzy, soulful reggae rhythms of Eureka Sound. Their performance was a seamless blend of genres, showcasing a unique fusion of deep reggae grooves with the sophistication of jazz. The highlight of their set was their rendition of WAR’s classic hit “The World is a Ghetto,” a track they infused with their distinct style, breathing new life into its timeless message.

With their smooth transitions and soulful sound, Eureka Sound left an indelible mark, proving themselves to be a must-watch act in the reggae-jazz scene.

Sundance Film Festival 2024' Edition

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AI and Journalism - a battle on the horizon...?

President & CEO Danielle Coffey to Testify About Threats and Opportunities to News from AI

Today the Senate Judiciary Subcommittee on Privacy, Technology, and the Law will hold a hearing at 2:00 p.m. ET, on “Oversight of A.I.: The Future of Journalism,” which will explore the impact of the growth of generative artificial intelligence (GAI) technology on publishers’ ability to provide high-quality journalism and possible oversight mechanisms to help protect and sustain quality journalism.
 
Witnesses scheduled to testify at the hearing include Danielle Coffey, President & CEO of the News/Media Alliance (written testimony here); Roger Lynch, CEO at Condé Nast (written testimony here); Curtis LeGeyt, President and CEO of the National Association of Broadcasters (written testimony here); and author Jeff Jarvis (written testimony here).
 
Last fall, the Alliance published a White Paper revealing that GAI systems copy massive amounts of publishers’ original works, without authorization or compensation. The White Paper and Alliance submitted to the U.S. Copyright Office a letter explaining the legal implications of such use. In response to the hearing, News/Media Alliance President & CEO, Danielle Coffey stated, “We commend Subcommittee Chair Richard Blumenthal and Ranking Member Josh Hawley and the Senate Judiciary Committee for recognizing the urgent need to address our very serious concerns about the impacts of AI technology on providers of quality journalism, as well as the legal questions this raises. AI companies are scraping our content to compete with it – usually without any compensation to, or permission from the publishers of that content – while they reap all the benefits. This is classic freeriding that infringes publishers’ copyrights and goes far beyond fair use.”
 
Witnesses scheduled to testify at the hearing include Danielle Coffey, President & CEO of the News/Media Alliance: Roger Lynch, CEO at Condé Nast; Curtis LeGeyt, President and CEO of the National Association of Broadcasters; and author Jeff Jarvis.
 
In front of the Subcommittee, Coffey will discuss how generative AI technologies use news material to directly compete with publishers, but they also require high-quality journalism to train their algorithms. In addition to discussing the need for legislation—such as mandating accountability and transparency from GAI developers and passing the Journalism Competition & Preservation Act (JCPA), which would enable publishers to collectively bargain for just compensation for use of their content by the major tech platforms, like Meta and Google—Coffey will also address the implications of copyright infringement arising from the way GAI developers train and use their models.
 
The News/Media Alliance has been spearheading the push for AI businesses to obtain the right licenses and licensing from publishers for usage of their unique material, ever since generative AI technology took off like wildfire last year. The Alliance disclosed in a White Paper last autumn that GAI systems replicate vast quantities of publishers’ original works, nearly often without permission or payment, and that publisher content predominates in the materials utilized to train these systems. The legal ramifications of such use are also explained in the White Paper and remarks the Alliance filed with the US Copyright Office.
 
In response to the hearing, News/Media Alliance President & CEO, Danielle Coffey stated,” We commend Subcommittee Chair Richard Blumenthal and Ranking Member Josh Hawley and the Senate Judiciary Committee for recognizing the urgent need to address our very serious concerns about the impacts of AI technology on providers of quality journalism, as well as the legal questions this raises. AI businesses are stealing our content to compete with it, frequently without the publishers’ consent or payment, and taking full advantage of the advantages. This is an example of classic freeriding that goes well beyond fair usage and violates the copyrights of publishers.”

Coffey’s testimony offers multiple suggestions for policymakers, including:

  • Recognizing that unauthorized use of publishers’ expressive content for commercial GAI training and development is likely to compete with and harm publisher businesses in a manner that infringes copyright;
  • Creating transparency requirements to require the recordkeeping and disclosure of unauthorized training uses of material that is protected by copyright, by technical protection measures, or governed by contractual terms prohibiting scraping; and
  • Adopting legislation to remedy existing market imbalances that prevent publishers from engaging in fair negotiations for the use of their content against dominant platforms.

“Tech platforms have gotten away with using publishers’ content without appropriate compensation for years,” Coffey said. Unaddressed, this issue has been getting worse, and now AI intensifies the threat that the biggest tech platforms offer to the survival of publishers. All throughout the world, laws mandating tech companies to compensate news publishers are being proposed and passed. The JCPA should be passed by the US in order to prevent it from slipping behind other nations and to guarantee that publishers can keep producing the vital, high-caliber journalism that we all rely on. Acting now is imperative before it’s too late.

 
 

Happy 10th Year Anniversary 

Editor in Chief: Monica Morrison

Content Editor: Jason Sandler

Photos: Annette Baca L’Archevêque

Publisher: Monica Morrison

Press contact: 

Admin@iEntertainmentNews.com
Admin@IndieEntertainmentMagazine.com